Inception
I think that
the opening sequence for inception does a great job of creating mystery and
confusion about the film and what’s going on in the scene right from the start
of the film. For example the first part of the scene creates questions about
the film such as why has a man washed up onto a beach and why are there kids on
the beach one minute and the next minute there not there. When the clip cuts to
an old man sitting in a large dining room and the guard comes in and shows him
what the man that washed up on the beach had with him he first showed him the
gun which didn’t get a reaction from the old man but when he showed him the
spinning top he stopped reaching for his drink and said that he knew what it was which
could imply that the spinning top is in some way more powerful than the
gun.
Sound
The first
sound that you hear when the film starts is a deep and loud sound that adds tension
and excitement to the film straight from the get go. The next sound is the
sound of waves crashing against rock which could help the viewer gets the idea
that this first scene is set on some sort of beach. There is also a quiet
ominous soundtrack playing constantly throughout the 2 minute clip which helps
to give the scene a sense of mystery.
Editing
The first 50 seconds of the clip have been slowed down a little bit to enhance the fact that the man that has washed up on the beach is a little disorientated and delirious. I also think that the clip was slowed down so that the waves had a better impact when crashing into the rocks. When the guard said “and this” referring to the spinning top, the shot quickly changes to a close up of the spinning top which gives the viewer the idea that the spinning top may have an important role in the story of the film. This fast cut also has a big impact because all of the scenes and cuts beforehand where very slow compared to this one.
Mise en scene
The man that
has washed up on the beach is wearing scruffy clothing which could be used to
show the audience that he has actually washed up on a beach and that maybe something
has happened to him beforehand. The man that walks over to him on the beach is
wearing a military style outfit and is carrying a gun which shows that he is a
guard or soldier of some kind. When the scene cuts to the huge dining hall with
guards at the door and hundreds of lights above shows the audience that the
elderly man sitting at the table is powerful in some way.
Pulp Fiction
The scene is set in a stereotypical American restaurant/ diner. When the man takes a gun out of his pocket the scene suddenly becomes more serious, whereas before it seemed like a jokey conversation and the way that the two people are dressed don’t make it look as if they are dangerous but as soon as you see the gun you know that he is not messing around and that he is serious.
The most commonly used camera angle in the scene is just a simple mid shot that gets the two characters having a conversation in it. The camera only changes angles when the waitress comes over and offers coffee to the two characters, this clip uses a close up shot of the waitresses face.
Gone in Sixty Seconds
At the beginning
of the scene it goes straight in to the middle of two peoples conversations. The
man in the scene is talking about never doing something again but he does
mention what he will never do again to start with which creates mystery and has
the audience wondering what he will never do again. This gets the audience’s
attention straight from the start of the film.
Mise en
scene
The scene is set in a stereotypical American restaurant/ diner. When the man takes a gun out of his pocket the scene suddenly becomes more serious, whereas before it seemed like a jokey conversation and the way that the two people are dressed don’t make it look as if they are dangerous but as soon as you see the gun you know that he is not messing around and that he is serious.
Camera
The most commonly used camera angle in the scene is just a simple mid shot that gets the two characters having a conversation in it. The camera only changes angles when the waitress comes over and offers coffee to the two characters, this clip uses a close up shot of the waitresses face.
Gone in Sixty Seconds
This scene starts the action in the film straight from the
first scene. It also does a good job of showing what the film is going to be
about straight from the get go, which is stealing very expensive cars. The scene
involves three men in a car planning to steal a car from a show room. They use
a very aggressive plan for stealing the car instead of using a stealth plan.
Sound
The clip also includes a comedic effect, for example when
the two men are talking and say “I gotta get my tool” and then the other man
says “that’s not a tool that’s a dam brick “. This creates a funny moment but
at the same time they are talking about stealing a car which brings you back to
the fact that this film is a crime/thriller. The sound of the glass smashing
when the man throws the brick through it is made to be louder than it actually
would be. This heightens the excitement in the scene. As they are reversing the
stolen car the sound of the tires screeching is also heightened to add more
excitement. This also helps to add to the fast pace of the clip.
Mise en scene
The first scene is set on a busy street with lights on
lighting up the car that they are planning on stealing. The setting shows how
difficult it is going to be to steal this car without attracting too much
attention. The three guys are just wearing normal clothing that is plain and
dark which is probably worn so that they don’t attract too much attention to themselves.
When he opens the boot you see a variety of different tools to show that he steals
cars on regular bases.
Camera
The first shot you see is a close up of a Porsche, which is the car that is stolen in the first scene. Then an establishing shot is used to show where the Porsche is and what it is surrounded by. A close up is used to show what the boot of the car has in it.
Editing
When the two men are walking towards the Porsche there are a
lot of fast cuts used to show the two men at different angles which adds some
fast pace to the scene. The scene is slowed down a little bit when the brick is
thrown at the window. When the man sitting in the car outside waiting for the
other two men starts trying to start up his car the camera keeps cutting from
the two men driving the Porsche and him trying to start up the car so that he doesn’t
get hit by them when they smash the Porsche through the window. This helps to
add tension to the scene.








